Connor is ultimately portrayed as a sexual predator in this scene, made even more sickening by the use of binary opposition of paternal vs lover. Connors paternal role allows him to exploit Mia, shown in the climatic sex scene between the two.

In We Need to Talk about Kevin feminism helps us understand the binary opposition of nature vs nurture, shown through a scene in which Eva is attempting to get Kevin to roll a ball back to her. This portrays Kevin as unusual in this child role, shown through his unresponsive performance which is made even more unusual by how childish this activity is, yet the young Kevin still can't connect with his mother even in the most child like of activities. Eve's performance shows her to be desperately trying to connect with her son through this activity , so its made clear Eve is not at fault for Kevin's unusual behaviour. A  medium long two shot at a side profile shows the futility of Eve attempting to connect with her son in this conventional way, as she appears defeated and we are made to feel distant and disconnected to Kevin like Eve does, allowing the viewer to better empathise with Eve. There is however still a slight connection, as they mirror each others body language in this shot, showing how they are united in their unfamiliar roles.

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ESSAY REVISED

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Metaphor and meaning of the horse scene(s) in Fishtank

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Critical ideological approach + Binary opposition  Andrea Arnold uses binary oppositions to explore the ideology of feminism in Fish tank, so looking through a feminist perspective we can better understand the use of Binary opposition within the film. One way a feminist ideology helps us understand binary oppositions in fish tank is through the feminist perspective of Connor's predatory behaviour and maturity which conflicts with Mia's presentation as prey and her immaturity. This is seen during the sex scene between Connor and Joanne that Mia witnesses through a crack in the door; using a range of micro features a strong binary opposition of predator and prey as well as maturity and immaturity is built between Connor and Mia. We see this through the micro features of mise en scene and cinematography, as an extreme close up on Mia is used in conjunction with chiaroscuro which works in tandem to paint Mia as immature and vulnerable, as the extreme close up focuses our atten
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